Please use this identifier to cite or link to this item: http://localhost:8080/xmlui/handle/123456789/125937
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dc.contributor.authorBay-Cheng ,Sarah
dc.contributor.authorKattenbelt ,Chiel
dc.contributor.authorLavender ,Andy
dc.contributor.authorNelson ,Robin
dc.date.accessioned2017-04-30T13:21:20Z-
dc.date.available2017-04-30T13:21:20Z-
dc.date.issued2010
dc.identifier.isbn9789089642554
dc.identifier.urihttp://hdl.handle.net/123456789/125937-
dc.description.abstractThis volume examines afresh the impact upon acting and performance of digital technologies. It is concerned with how digital culture combines the traditional ‘liveness’ of theatre with media interfaces and internet protocols. The time and space of the ‘here and now’ are both challenged and adapted, just as barriers between theatre-makers and the ‘experiencers’ of events are broken down. Today many of us are everyday players performing the interconnectedness of digital culture and a key aim of the book is to unpack the multiple interrelations within the landscape of contemporary performance. Access to a range of ‘instances’ (The Builders Association, Castellucci, Castorf, Gob Squad, Lepage, Second Life and VJing) is through ‘portals’ which afford perspectives on the main characteristics of theatre and performance in the digital age.
dc.language.isoeng
dc.publisherAmsterdam University Press
dc.relation.urihttp://www.oapen.org/record/406430
dc.rights.uriOAPEN Deposit License
dc.sourceOAPEN
dc.subject.classificationFilm
dc.subject.classificationTV and radio
dc.subject.otherMotion pictures
dc.subject.otherStage presentations
dc.titleMapping Intermediality in Performance
dc.type電子教課書
dc.classification人文類
Theme:教科書-人文類

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