Please use this identifier to cite or link to this item: http://localhost:8080/xmlui/handle/123456789/125956
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dc.contributor.authorElkins ,James
dc.date.accessioned2017-04-30T13:21:21Z-
dc.date.available2017-04-30T13:21:21Z-
dc.date.issued2010
dc.identifier.isbn9789622090002;9789882205734
dc.identifier.urihttp://hdl.handle.net/123456789/125956-
dc.description.abstractThis is a provocative essay of reflections on traditional mainstream scholarship on Chinese art as done by towering figures in the field such as James Cahill and Wen Fong. James Elkins offers an engaging and accessible survey of his personal journey encountering and interpreting Chinese art through Western scholars' writings.
dc.language.isoeng
dc.publisherHong Kong University Press, HKU
dc.relation.urihttp://www.oapen.org/record/448570
dc.rights.uriOAPEN Deposit License
dc.sourceOAPEN
dc.subject.classificationHistory of art
dc.subject.otherLandscape painting
dc.subject.otherChinese
dc.subject.otherAppreciation
dc.subject.otherArt criticism
dc.subject.otherWestern countries
dc.subject.otherArt History
dc.subject.otherHistory
dc.subject.otherPhilosophy
dc.titleChinese Landscape Painting as Western Art History
dc.type電子教課書
dc.classification人文類
Theme:教科書-人文類

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