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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Ed Doering | |
dc.date.accessioned | 2017-04-30T13:30:24Z | - |
dc.date.available | 2017-04-30T13:30:24Z | - |
dc.date.issued | 2008 | |
dc.identifier.uri | http://hdl.handle.net/123456789/129703 | - |
dc.description.abstract | Most musical instruments as well as the human voice create sound by exciting a resonant structure or cavity by a wideband pulsed source. The resonant structure amplifies select frequency bands (called formants) and suppresses (or "subtracts") others. Subtractive synthesis algorithms use time-varying sources and time-varying digital filters to model physical instruments. Learn how to use the DSP capabilities of LabVIEW to implement an interactive time-varying filter, a band-limited wideband source, a vowel synthesizer for speech, a "cross synthesizer" in which a speech signal's spectral envelope is superimposed on a musical signal, and a remarkably life-like plucked string sound. This course is part of the series "Musical Signal Processing with LabVIEW". | |
dc.language.iso | eng | |
dc.publisher | Rice University | |
dc.relation.uri | http://cnx.org/contents/9d338fb5-fb0c-4dd9-95f7-a709cde71ec8@2.2/Musical_Signal_Processing_with | |
dc.rights.uri | Creative Commons Attribution License (by 2.0) | |
dc.source | openstax cnx | |
dc.subject.classification | Science and Technology | |
dc.title | Musical Signal Processing with LabVIEW -- Subtractive Synthesis | |
dc.type | 電子教課書 | |
dc.classification | 自然科學類 | |
Theme: | 教科書-自然科學類 |
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